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Archive for September, 2014

Just for fun, over the weekend I wrote a way of visual browsing the almost 13M items in the Harvard Library collection. It’s called the “BoogyWoogy Browser” in honor of Mondrian. Also, it’s silly. (The idea for something like this came out of a conversation with Jeff Goldenson several years ago. In fact, it’s probably his idea.)

screen capture

You enter a search term. It returns 5-10 of the first results of a search on the Library’s catalog, and lays them out in a line of squares. You click on any of the squares and it gets another 5-10 items that are “like” the one you clicked on … but you get to choose one of five different ways items can be alike. At the strictest end, they are other items classified under the same first subject. At the loosest end, the browser takes the first real word of the title and does a simple keyword search on it, so clicking on Fifty Shades of Gray will fetch items that have the word “fifty” in their titles or metadata.

It’s fragile, lousy code (see for yourself at Github), but that’s actually sort of the point. BoogyWoogy is a demo of the sort of thing even a hobbyist like me can write using the Harvard LibraryCloud API. LibraryCloud is an open library platform that makes library metadata available to developers. Although I’ve left the Harvard Library Innovation Lab that spawned this project, I’m still working on it through November as a small but talented and knowledgeable team of developers at the Lab and Harvard Library Technical Services are getting ready for a launch of a beta in a few months. I’ll tell you more about it as the time approaches. For example, we’re hoping to hold a hackathon in November.

Anyway, feel free to give BoogyWoogy a try. And when it breaks, you have no one to blame but me.

The post BoogyWoogy library browser appeared first on Joho the Blog.

Et tu, U2?

A few days ago, when Apple pushed the latest from U2 into everyone’s iTunes library, you could hear the Internet pause as it suddenly realized that Apple is its parents’ age.

Now in the ad-promotion succubus occupying the body of what used to be Time Magazine, you can see U2 desperate to do exactly the wrong thing: insisting that it wasn’t a gift at all. You can learn more about this in the hilariously titled cover article of Time: “The veteran rock band faces the future.” This a future in which tracks we don’t like are bundled with tracks we do (the return of the CD format) and people who share with their fans are ruining it for U2, boohoo.

Or, as Bono recently said, “We were paid” for the Apple downloads, adding, “I don’t believe in free music. Music is a sacrament.” And as everyone knows, sacraments need to be purchased at a fair market value, the results of which Bono, as a deeply spiritual artist, secures in sacred off-shore accounts.

In my head I hear Bono, enraged by the increasingly bad publicity, composing a message that he posts without first running it through his phalanx of PR folks:

Dear fans:

You have recently received a copy of our latest album, Songs of Innocence, in your iTunes library. U2 understands you may be confused or even upset by this. So, let me clarify once and for all the most important point about this — if I may humbly say so — eternal masterpiece. It was not our intention to cause you stress or to wonder if you have the musical sensitivity to full grasp (if I may, humbly say) the greatness of our work. But most important, it is essential above all that you understand that it was not our intention to give you a gift. No freaking way.

We understand your mistake. You are, after all, just fans, and you don’t play in the Jetstream world of global music. As I said to my dear friend Nelson Mandela (friend is too weak a word; I was his mentor) shortly before he passed, music is a sacrament, just like tickets to movies, especially ones with major stars working for scale, or like the bill at a restaurant where you and any two of the Clintons (Chelsea, you are a star! Give yourself that!) are plotting goodness.

To tell you the truth, I’m disappointed in you. No, worse. I’m hurt. Personally hurt. How dare you think this was a gift! After all these years, is that all U2 is worth to you? Nothing? Our music has all the value of a CrackerJacks trinket or a lower-end Rolex in an awards show gift bag? Do you not understand that Apple paid us for every copy they distributed? We were paid for it, sheeple! Massive numbers of dollars were transferred into our bank accounts! More dollars than you could count, you whiny little “Ooh look at me I’m sharing” wankers! We’re U2 dammit! We don’t need you! You need us! MONEY IS LOVE! EXTRA-ORDINARY LOVE!!!!!!

Have a beautiful day.

Meanwhile, as always, Amanda Palmer expresses the open-hearted truth about this issue. It almost makes me regret making fun of Bono. Almost.

>Bono makes it clear U2 was paid for the

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